The first painting was an experiment in landscape work. The source was a photo of an abandoned factory with some Photoshop work to blow the too-middled contrast. The composition wound up working as a photo, but being a miss on canvas, so the second one was made in response to that outcome and a desire for surrealism to pull further away from the source.
A third one was always, and still is, planned, but the one to three work break from the same subject has stretched out indefinitely so far.
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